Chris Thornton loves talking about playing basketball on the most fragile-sounding of surfaces: glass.
Thornton is managing director of the Americas division of ASB GlassFloor, a German company building floors made of fused-together layers of safety glass covering LED panels. The courts are a far more dynamic visual feast, with customized playing lines, logos, colors, animated graphics and advertisements for multiple sports.
In basketball, where wood is still king, Thornton sees growth potential for glass courts — already showing up in the NBA and internationally — as a tech-driven alternative to the sport’s long-running hardwood foundation.
“I use this analogy a lot: We’re at the initial stages of the iPhone being launched,” Thornton said. “Way back when Apple did that, the design of the hardware has changed, but more importantly the original iPhone was just a phone, a text device and music player. Now you’re running your entire life and communicating to the world on it. I see this in the same regard.”
It seems strange at first blush — big, strong athletes jumping and running across a court of glass while “pounding the rock” and even diving on the floor. That is a future ASB GlassFloor company envisions, citing technology improvements allowing for a safe and viable surface featuring stunning visuals that can be changed with a few swipes and taps of a smartphone or tablet app.
Thornton said the glass surface has give and flexibility exceeding that of wood, aided by a spring-action design to the aluminum and steel framing beneath the LED paneling. There’s also a ceramic coating with dots etched into the glass, offering grip, and a consistent surface without “dead spots” or other quirks that can occur with wood courts.
That combination has the company touting enhanced safety potential for athletes, even in more easily spotting sweat to wipe up.
“There’s a stigma about the glass: ‘Oh my gosh, it’s going to break, it’s harder, people are going to break the glass, they’re going to fall through it,’” Thornton said. “It’s actually quite the opposite.”
The visuals are the bigger selling point. Arena managers could easily update a court’s look instead of using space storing hardwood stacks for multiple designs and paying for labor to install or update them. Or coaches could set up their own practice regimens with on-court visual cues.
And yes, a team could even opt for a hardwood-panel look in a nod to tradition.
The trade-off? A bigger price tag than a wood counterpart. Thornton didn’t specify an amount but pointed to potentially selling leases to the courts, saying the company has had “advanced” talks with college teams and leagues.
At Connor Sports, a Michigan-based company that makes the hardwood courts for the men’s and women’s Final Four, technical director Jason Gasperich referenced that higher cost. He noted that roughly 750 of the 800 courts his company typically builds and sells per year might end up in elementary and high schools “where they just don’t have the budget for that.”
Still, he also gave a tip of the cap to the technology.
“Nonetheless, they’re still super interesting, unique,” Gasperich said. “And there’s things you can do with digital that you can’t do with a traditional wood floor.”
Glass LED courts are already in home arenas for Bayern Munich in Germany and Panathinaikos Athens in Greece. They’ve also been used in events by governing body FIBA.
In the U.S., Kentucky used one in October for its “Big Blue Madness” event marking the ceremonial season start for Wildcats basketball.
“I love everything about the versatility of this floor,” men’s coach Mark Pope said in video posted by ASB GlassFloor capturing reactions as players tested it out in Rupp Arena.
“I don’t know what I was expecting, but it squeaks like a real basketball court,” women’s player Cassidy Rowe said in the video. “It just functions like a normal basketball court, but it’s showing our picture, which is crazy.”
The NBA offered a showcase look during the 2024 NBA All-Star weekend, holding its skills competition, 3-point contest, dunk contest and shooting matchup between Stephen Curry and Sabrina Ionescu on one in Indianapolis.
By December, the company had set up a training facility in Orlando allowing NBA teams in town to play the Magic a chance to workout on the glass court and offer feedback. Thornton, who said the NBA has bought a minority stake into the company’s Americas division, estimated more than 100 players and coaches have tested it so far.
“As we integrate with the other data providers in both the NCAA and NBA, we are only going to get better and better with what improving what you can do on an ASB GlassFloor,” he said. “The focus now up to today has been getting a surface that is comfortable for the athletes to play on, and we’ve done that.”
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AP March Madness: https://apnews.com/hub/march-madness and AP technology coverage: https://apnews.com/technology
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NEW YORK (AP) — Major League Baseball’s average salary broke the $5 million barrier on opening day for the first time, according to a study by The Associated Press.
The New York Mets, with Juan Soto’s record $61.9 million pay, led MLB for the third straight opening day with a $322.6 million payroll, just ahead of the World Series champion Los Angeles Dodgers at $319.5 million. Those two teams each spent roughly five times as much as the Miami Marlins, who at $64.9 million ended the Athletics’ three-year streak as the lowest spender.
Still, the Mets were down from their record high of $355.4 million in 2023.
The average rose 3.6% to $5,160,245. That was up from a 1.5% increase last year but down from an 11.1% increase in 2023.
Adding Blake Snell, Michael Conforto, Tanner Scott and Kirby Yates, the Dodgers boosted payroll by a big league-high $69 million from opening day last year. Baltimore hiked spending by $66 million, followed by Arizona ($55 million), San Diego ($47 million), Philadelphia ($41 million) and Detroit ($39 million).
Los Angeles’ payroll figure was held down by deferred payments. Shohei Ohtani’s $70 million salary was discounted to a present-day value of $28.2 million because it won’t be paid in full until 2035, causing him to be listed as the 18th-highest-paid player. Other Dodgers with deferred payments include Mookie Betts, Tommy Edman, Freddie Freeman, Teoscar Hernández, Scott, Will Smith and Snell.
Following their record 121-loss season, the Chicago White Sox cut payroll by $60.8 million, San Francisco by $39.1 million, Miami by $31.7 million and St. Louis by $31.6 million. The American League champion Yankees dropped by $18.5 million.
Just five teams were under $100 million, with the Marlins joined by the A’s ($74.9 million), Tampa Bay ($79.2 million), the White Sox ($80.9 million) and Pittsburgh ($87.9 million).
Soto broke the previous high of $43.3 million shared by pitchers Max Scherzer and Justin Verlander under deals they agreed to with the Mets.
Phillies pitcher Zack Wheeler is second at $42 million, followed by Texas pitcher Jacob deGrom and Yankees outfielder Aaron Judge at $40 million each.
Of 953 players in the major leagues on opening day, 526 had salaries of $1 million or more, 55%, and down from 532 last year and 546 in 2023.
There were 15 players at $30 million or more, a drop of two; 66 at $20 million, up from 66; and 177 at $10 million, an increase from 166.
A total of 35 players made the $760,000 minimum.
The top 50 players make 29% of the salaries, the same as in the prior two years, and the top 100 earn 48%, up from 47%.
Baseball’s median salary, the point at which an equal number of players are above and below, dropped to $1.35 million from $1.5 million and well below the record high of $1.65 million at the start of 2015.
Average and median salaries decline over the course of the season as veterans are released and replaced by younger players making closer to the minimum. The AP’s average was $4.98 million at the start of last season; MLB calculated the final average at $4.59 million and the players’ association at $4.66 million.
Because they started the season in the minor leagues, Baltimore pitcher Kyle Gibson ($5.25 million), Detroit pitcher Jason Foley ($3.15 million) and Dodgers second baseman Hyeseong Kim ($2.8 million) were among the players not included in the opening day payroll figures.
The AP’s figures include salaries and prorated shares of signing bonuses and other guaranteed income.
Payroll figures factor in adjustments for cash transactions in trades, signing bonuses that are the responsibility of the club agreeing to the contract, option buyouts and termination pay for released players.
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AP MLB: https://apnews.com/MLB
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LONDON (AP) — American authors Elizabeth Strout Miranda July are among finalists announced Wednesday for the Women’s Prize for Fiction, alongside four debut novelists exploring the search for freedom in different countries and cultures.
Pulitzer Prize winner Strout’s Maine-set mystery novel “Tell me Everything” and writer’-filmmaker July’s “All Fours,” in which a “semi-famous artist” seeks a new life, are shortlisted for the 30,000 pound ($39,000) prize. It’s open to female English-language writers from any country.
The contenders also include Dutch writer Yael van der Wouden’s postwar story “The Safekeep” and German-born poet Aria Aber’s novel “Good Girl,” about a teenager exploring her dual German-Afghan heritage.
Also on the list are Iran-born writer Sanam Mahloudji’s intergenerational family saga “The Persians,” and “Fundamentally” by Nussaibah Younis, about an academic trying to rehabilitate women caught up with the Islamic State group.
Author Kit de Waal, who is chairing the panel of judges, said that the six books were “classics of the future” that explored “the importance of human connection.”
“What is surprising and refreshing is to see so much humor, nuance and lightness employed by these novelists to shed light on challenging concepts,” she said.
Previous winners of the fiction prize, founded in 1996, include Zadie Smith, Tayari Jones and Barbara Kingsolver.
Last year, award organizers launched a companion Women’s Prize for Nonfiction to help rectify an imbalance in publishing. In 2022, only 26.5% of nonfiction books reviewed in Britain’s newspapers were by women, and male writers dominated established nonfiction writing prizes.
Winners of both nonfiction and fiction prizes will be announced on June 12 at a ceremony in London.
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